Philip Goddard

www.philipgoddard.com
Personal Website
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Personal Details

Philip Goddard
-- Self Realized Composer, Writer, Nature Photographer


N.B. Some of the following information is given with unusual candour and detail about things that most people would keep private. This is not to make a great soap opera out of my life, but to give inspiration and encouragement to others.

Philip Goddard near Land's End - Logan Rock behind. -- September 2006
Philip Goddard near Land's End - Logan Rock behind. -- September 2006

BIOGRAPHY -- SUMMARY


1942
  •  Born in Harrow Weald, Middlesex, during the 2nd World War.
1945
  • My own inner hell (night terrors) became fully developed. Up to the age of 6 I had an intensely tormenting night-time inner world, in which I was a wolf-like animal. In that tormented inner world I was pursued by certain types of normally inanimate object, each of which in its menacing animate form had a special name. Thus violin cases narrow end up were sproses, and the same with broad end up were sprouses; room lights that came down from the ceiling, hissing at me (the source of intense terror) were doots, and so on. These terrors overlay my true night terrors - a maelstrom of ultra-Satanistic-type 'horror movies' of unremitting power and intensity. In between my fleeing the pursuing terrors, I was desperately seeking company and closeness, which could never be found. An explanation for the whole hellish complex of experiences can be found on my page Night Terrors and Hearing Voices.
1947
  • Natural history interest commenced (started with keeping caterpillars).
  • Formal schooling started.
 

The whole of my formal schooling was something of an abomination and had little to do with the real needs of individual beings. It brought me pretty well unremitting unhappiness, both directly and through the great deal of ridicule and bullying which I received; I knew not one person who was truly on my wavelength. ...I suppose it all did teach me something pretty important - that there had to be better ways!
I think it must have been in one of the optional weekly 6th-form periods of extra-curricular talks which sometimes were given by outside speakers that a woman once came and talked about Buddhism. I didn't remember anything much of what she said, and neither did I follow this up directly, but it had sown a seed which marked it as, in an important sense, the most important direct teaching that I received in all my schooling.

1948
  • Abrupt cessation of my tormenting night-time inner world. The cessation resulted from my starting to fantasize at night on Dan Dare in the Eagle comic, which caused me at last to get focusing my attention in normal levels of consciousness instead of the level of the night terrors astral realm(s).
1955
  • Musical interest fully awoke: a first hearing of Stravinsky's Petrouchka hit me like a bombshell. I had an acute shyness about people knowing of my having any musical leanings - to such an extent that I hid my musical interest from virtually everyone, including family and closest (i.e. least distant) friends till I'd moved from my parents' home in 1967. (I've a pretty good idea of the reason!)
1956 onwards
  • It was from about 1956 onwards that I began to experience a range of more or less minor health problems which in 2007 I've been able to identify as being aggravated and in some cases caused by low-level mercury poisoning, primarily from my school (Harrow Weald County Grammar School). Most of these health problems have remained with me very long term. This issue would have affected to some extent at least most people at that school, at least during the time I was there. I write in some detail about the matter in My Own Self Realization Path - Updates.
1957 -1964
  • I went through a phase of keeping (all in my bedroom!) a wide range of animals as 'pets' - lizards, snakes (including boas and pythons) and various more or less small mammals; they were mostly exotic species, but included a breeding colony of tame rats to feed to the snakes.
1963
  •  A 21st birthday present of a camera prompted me to start doing nature photography (primarily of insects); this became a decidedly absorbing activity, and replaced my keeping of animals.
1967
  • Moved from my parents' home in Harrow Weald, to Pirbright (Surrey), then in 1969 to Guildford, for a research job at Pirbright, where I took part in a research project on biting midges.
  • Came out into the open about my intense musical interest - though not much so about the tumult of music composing itself within me - and, as though possessed, I built up a large record collection of mostly 20th Century 'classical' music, much of it little known in this country.
1971
  • Driven by a deep suffering, I 'came out' in another way: made my homosexuality* known to all and sundry - not always with exemplary tact!
1972
  • Resolved not to meet or relate with anyone at all on the basis of their gender or sexual orientation - a far-reaching decision much more important than the 'coming out'; I no longer classified myself as 'gay' or 'non-gay', having begun to recognise that my true nature (and other people's) transcended such trivial details. For this I was criticized by some for being 'unnatural' and even 'fascistic'.
  • Stopped all natural history activity, including photography, to give myself more mental space to develop in other ways. For the same reason, I withdrew from my research job and accepted a period of unemployment. Took up Re-evaluation Counselling, a potentially powerful self-liberation technique. This marked commencement of my ongoing self healing / self realization path (though at that time I didn't think of it as 'healing', nor as 'self realization).
1973
  • Started writing highly original and exploratory poetry, much of which had a strong visionary character.
1974
  • Started self-publishing collections of my poetry, mostly as A4 duplicated editions, selling copies locally (i.e. in Guildford) and on a very small scale. This continued till 1977.
  • Joined the Surrey University Choir. Would you believe this - that simple act was probably the bravest thing I've done in this lifetime! The weight of fear to push through was tremendous, and I was shaking like a demented jelly on the evening of that momentous first rehearsal (just Bach's Christmas Oratorio), feeling as though something unspeakably frightful was going to happen to me! I've kept up regular choral singing ever since, mostly in Exeter University Choral Society. Fortunately the fear gradually dissipated over the months and years, so nowadays I just accept my many mistakes with peaceful good humour and enjoy the whole experience.
1976
  • Moved to Exeter to study for a degree at Exeter University.
1978
  • Resumed nature photography, this to develop considerably in 1985, covering primarily insects, plants, lichens and fungi, and wild scenery.
  • Started laboriously writing a series of small-scale rather rudimentary music compositions - mostly initially intended as duets that I could play with a student friend I'd made in the University Choral Society, though a few were songs for bass solo for me to sing, one of them being my 'party piece', the Flapping Duck Song, with which I have caused occasional hilarity over the years. The first of the compositions, a little flute duet entitled simply Study No.1, was some 19 years later to become the foundation of the haunting and troubled 2nd movement of my 6th Symphony, while the second was in 1995 to grow to become my official Opus 1 - the 1st Symphony.
1979
  • First visit to Scottish Highlands, with first experience of solo mountain walking - something that was to be developed and repeated annually in Scotland and sometimes in parts of the Alps.
  • Graduated - for whatever good that did me.
1980
1981
  • Was quietly excluded from the local group of the Re-evaluation Counselling community because the group felt ill at ease with my presence - I was much more strongly motivated for total self-liberation than the others locally and felt increasingly frustrated with their relatively low level of awareness.
  • Started doing regular long, usually solo, single-day hikes on Dartmoor and other wild places, normally hitch-hiking out and back - something that was to develop and continue to the present day as quite a major feature of my life.
1990
  • Closed down the photography. First novels written.
1992
  • Took up the Alexander Technique, an incredibly powerful tool for self-liberation. Quickly and permanently incorporated it into every aspect of my lifestyle.
1995
  • Broke out into full-scale symphonic music composition, using a MIDI sequencer program on the computer.
1997
  • The greatest and most welcome event of my life! (well, up to that point!) Unexpectedly crossed the threshold of spiritual enlightenment) - suddenly recognising that I'd been on a lifelong spiritual path without even knowing it, and was now on a semblance of the Dzogchen 'path' (generally seen as the highest practice in Buddhism, though in truth it is not a specifically Buddhist practice), with an internal guide rather than external guru and no external rituals.
  • Made all my literary works available on disk and on my newly created website.
1998
  • Produced CD recordings of all my music compositions, copies of them being made available to others on a very small, non-commercial scale. Started presenting my music compositions on my website
  • Made a very tentative start in spiritual healing by joining a small local group of mostly Reiki-oriented healers who accepted complete novices.
1999
  • Accelerating inner changes brought about by giving and receiving healing and gaining understanding from other mystics and healers.
  • Carson Cooman, a concert pianist, organist and composer, discovered my work (via this website) and started the no doubt lengthy and tortuous process of promoting my work and encouraging my further creative efforts. He motivated me to get appropriate software to start producing scores of my extant works and started encouraging me to produce organ works which he could perform.
2000
2001
  • It has become almost routine this year that on my hiking outings, where I would hitch-hike out to the start and back from the finish of the walk, I discover at least one person who is a healer without knowing it, so that I have the inspiring task of telling the person and advising as to next steps...
  • Gained certification as a so-called Reiki 'Master'.
    Later note (May 2007) - I now understand my Reiki involvement to have been distinctly problematical, as explained in My Own Self Realization Path.
  • 3 music compositions, all with highly unorthodox instrumentation.
2002
  • The French publisher Musik Fabrik started publishing my works. The proprietor - the virtuoso saxophonist Paul Wehage - commissioned from me a work for saxophone, and what emerged was The Seen and the Unseen, a major and weighty mystical work for two saxophones and piano, which, Paul assures me, is quite unlike anything previously been written for the saxophone. Later in the year I completed Nordic Wilderness Journey, another major mystical work for two saxophones (this time including a contrabass saxophone) and piano, commissioned by the saxophone and clarinet virtuoso Jay Easton.
  • As I was coming up to 60 years old, this summer I decided to get bolder in my hitch-hiking for my weekly hikes, and included in my repertoire of walks certain long and hard coast path routes on the Land's End peninsula, still hitch-hiking to and from the route within a single day (from Exeter).
2003
  • My first venture into composing music specifically intended as a background or support to healing work - Ascending.
  • In October, started channelling from what I took to be my inner guidance, thus innocently 'dropping myself right in it' - for I had fallen into a trap that had been set up right at the beginning of this life by the astral ('dark') forces, then having massive disruption and confusions from astral ('dark') entities, which caused me a lot of trouble.
2004
  • Reduced the length of my hikes, to allow for more enjoyment of my surroundings and human interaction.
  • Was valiantly and doggedly continuing with my self healing process in the face of massive interferences and attacks from the abovementioned entities, which took me through periods of severe and near-hellish ordeals associated with my channelling, these in January to March and then October and again in December (in the latter two cases resulting in my hospitalization).
    As I've come to understand in late 2007, what the astral forces were trying to achieve with all these and subsequent crises and disruptions of my life was to get me sufficiently ungrounded that they could stage a 'semi-walk-in' upon me, using a specially programmed 'lost' soul for the purpose, in order to convert me into a puppet of theirs - as they have succeeded in doing with certain prominent spiritual teachers (who include a current famous one in India who is noted for his purported miracles). Fortunately, no matter what tricks they tried on me, I remained too grounded for them to take me over in that way, and now I'm close to being out of their reach altogether. I shall shortly put a brief account of this phenomenon in my Self Realization site.
2005
  • I experienced further crises caused by the troublesome entities manipulating emotional trauma material freed up during intensive self healing (of emotional traumas through all lifetimes) and making its surfacing over-intense, but these peaks became progressively less frequent and severe after the spring. In late August I finally put an embargo on accepting any communications at all from non-physical sources, to remain in force until the astral beings are finally cleared from my aura. I also became then increasingly disposed to poke fun at the beings, so further disempowering them.
  • First experience of life in the Findhorn community - a real eye-opener! For a time I was considering whether to relocate there, but in 2007 I came to the realization that, despite all its wonderful strong points, that community, and its members individually, are to varying degrees being led by the astral ('dark') forces, just as ALL 'spiritual' communities and movements are*.
    * For more about this issue, please see Exit Spirituality - Enter Clear-Mindedness.
2006
  • In March I took up the exceptionally powerful yet simple self realization method called The Work, which appears to have rendered redundant all my previous emotional healing methods. It brought about spectacular inner changes for me.
  • I still had interference and attacks from astral ('dark') entities. which caused continuing channelling problems and brought about crises through their attacks, requiring a brief hospitalization in September and again in October.
  • What I took to be my final long hike for this lifetime was on 23rd September, resulting in an arthritic flare-up of my right knee, which subsequently remained somewhat troublesome. Had to limit myself to short local strolls throughout the winter.
  • In late December, I got assistance from a 'lightworker' in starting to attempt to clear myself of interfering non-physical entities and other 'external energetic interferences' (EEIs).
2007
  • Continued my attempts at clearance of entities and other EEIs, using that "lightworker's" method, and with his direct assistance at times. However, although I made many gains through this process, it became apparent that the entities issue was still very much with me. I have subsequently (September 2007) come to realize that both he and I were being extensively deceived at that time by the astral entities, and few or no entities were actually being removed despite 'visuals' being presented to both of us showing such removal actually happening.
  • I took up the EFT to use as well as The Work in my emotional clearance process.
  • Very slow improvement of my arthritic knee, allowing short local strolls to lead on to a return of the hiking outings, but naturally I remained limited to relatively short walking routes (5-8 miles - a maximum total of about 10 miles including road walking in the hitch-hikes out and back).
  • Following a prompt from the writings of Steve Gamble, in April I came to recognise all channelled scenarios and 'higher' or 'spiritual' realities as being at least in part the work of astral ('dark') entities and thus something to completely avoid. I have also distanced myself from all supposed past life information about myself or indeed anyone else. Not only am I not channelling any more, but I have been removing channelled information from my Self Realization & Clear-Mindedness site, so that it can focus much more effectively on true self realization without troublesome if alluring sidetracks. This is explained more in Better Without Channelling and Exit 'Spirituality' - Enter Clear-Mindedness.
  • In May I attended an Energy Awareness Training workshop led by Stephen and Lynda Kane, the Energy Egg people, and had a personal consultation with them following the workshop, and gained tremendous life tools from them. These included a set of powerfully life-enhancing yogic practices, most of them very energetic, the central one being the Returning Life Sequence*, which, when used daily, actually progressively reverses at least most of the ageing process of one's energy system. I also learnt from them a simple means of testing the effects on my energy system of environmental energies, relationships and actions of mine, both current and prospective - this done without channelling (very important!). I experienced immediate great benefits from these life tools, rapidly becoming more powerful against the astral ('dark') entities' attempts still to unseat me and disrupt my life and turn me away from true self realization methods - and now I had means to progressively improve my living environment and any and every detail of my daily life to make it more harmonious with and supportive to my ultimate best interests - 'living with intent' in the best sense imaginable.
    * On their RealHealth-Online website you can buy a DVD from which you can learn the Returning Life Sequence for yourself (go to their products page for this, for their site navigation is really naff), and also purchase their excellent e-book Hidden Secrets of Real Health, from which I'm gaining many additional important life enhancing morsels of information - all completely practical and devoid of esoteric theory or belief in any 'spiritual [or higher] reality'. It is quite an energy awareness training in itself, and for many it would be the natural entry point into this sort of energy awareness development, leading on into going on to one of the Energy Awareness Training workshops and taking up the Returning Life Sequence.

    Regarding the ageing reversal of one's energy system brought about by the Returning Life Sequence, no claim is made that all physical ageing would be reversed, but clearly an ageing reversal of one's energy system means a steady increase in vitality and emotional wellbeing, and a greater physical 2007health than one would have otherwise for one's own physical age.

  • Since the abovementioned workshop the recovery of my right knee has accelerated, allowing increasingly long and hard hikes. On 11th August, just two days before my reaching the age of 65 and starting to receive the State pension, I walked the strenuous 21-mile coast path route from Exmouth to Beer (actually with a further 2 miles of road walking as part of the outward hitch-hike). Those practices mentioned above do seem to be working, and that knee is no longer a limitation for me.
  • Also as a result of that workshop and consultation and the wonderful self testing methods that Stephen and Lynda taught for determining what energy influences and choices in one's life (both current and prospective) are strengthening or weakening for one, I bought a new and relatively high grade digital camera and started nature photography on my hikes once more, setting up a new website - Clear Mind Photos - for selling the pick of the photos that I take.
  • Subsequently I've been experiencing a pronounced and accelerating increase in a stable and unwavering deep happiness and 'inner smile', as the astral interferences are progressively cleared out by the practices which I learnt from Stephen and Lynda Kane, and my enhancements and additions to them. I describe some of these practices in Some Potent Self Realization / Healing Practices.
2008
  • Early in the year I developed an energy device called the Clarity-Sphere™ to particularly powerfully and comprehensively facilitate self healing, self realization and clearance from the user of all entities and their interferences. This further greatly speeded up the process of my own self realization and clearance of entity interferences.
    the Clarity-Sphere™


*A note about the homosexuality angle


It is incorrect to single out homosexuality as though it is 'a condition' or something wrong with a person. The issue is NOT homosexuality but sexual orientation, whichever way it points. EITHER sexual orientation, if observable, is an imbalance, which in some people is innate and in others is a result of malfunction.

Fear derived from the oppressive attitudes towards homosexuality in most cultures (yes, even today in Britain) causes many people to be fiercely defensive of their homosexuality as 'natural' and innate. As noted above, the truth appears to be that for some people the homosexuality is effectively innate, in the sense that personal growth and healing will not change it, while for others it is the result of some type of emotional malfunction or psychic energy imbalance which derive from either particular experiences earlier in the person's life (very unusual) or from emotional traumas belonging to one of the parasitic 'lost' souls* attached to the person (the normal situation if the sexual orientation is a product of malfunction). Simply feeling that your own homosexuality is innate and not the product of malfunction tells you nothing about what your actual situation is! Much earlier in my life I couldn't bear the idea that my own homosexuality might be the product of malfunction, because the oppressive attitudes all around viewed it as that anyway without reference to what the true situation might be.

* This is a ubiquitous phenomenon which the astral ('dark') forces, who use those lost souls as instruments of control and indeed weapons upon us, have kept hidden from nearly everybody (including healers and psychics). You can read more about this in Interference and Attacks From Astral Beings.

In my own case various experiences and insights eventually convinced me that my own homosexuality was most likely caused by some malfunction which I could eventually work through and dissolve - but I saw this in the reassuring context that in reality pretty well everyone, unbeknown to themselves, is affected by malfunction in their sexuality, no matter what their orientation. In an important sense, apparently successful and 'normal' people have the greater problem with regard to developing towards wholeness, because the sheer normality of their package of malfunctions leaves them with little idea of how much they could still change for the better, and of course they have little or no motivation for change.

In 2007, progress in my self realization work has led me to the following understanding:

My sexual orientation in this lifetime is not in any way a malfunction that can dissolve. It is an integral part of the circumstances that have been set up by the all-pervading fundamental consciousness (aka universal consciousness), which is 'the Ultimate' as far as anyone can tell, for this particular lifetime's sequence of experiences, for which close relationships with women would be unhelpful while ones with particular, truly compatible men (a great rarity over the whole planet) would be extremely beneficial.

Yes, you upholders of 'Christian family values' etc, please note - my 'homosexuality' is actually part of what you could call God's design! 'God' works in more wonderful, flexible and compassionate ways than you've yet learnt about!

You psychiatrists and plain sexual bigots out there, make of all this what you will! Am I sick? Am I depraved? Am I perverted, inverted or convoluted, neurotic, quixotic or bubonic? Am I plain insane? Or have I by some teeny weeny chance just possibly broken through a little crack in the ignorance that defends itself as 'normality' and gained a real hold and insight upon the true, underlying nature of myself and other human beings? Answers on a postcard, please... (addressed to God, or our wonderful, wonderful (British) Prime Minister, if different...)




"It's really cool to be normal..."

Portrait of a normal person

Why are you banging your head against that wall?

Sorry, I don't have time to stop and think about such things. I'm too busy banging my head against this wall. -- Oh, please do me a favour and pass the Paracetamol... -- And while you're about it, please bring the television round here so that I can watch it while I'm banging my head on this wall. You do need some entertainment to make life bearable, you know...
(later) ...So, you're still banging your head against that wall, then!
Do you really mean that I shouldn't do what I enjoy? People should be free to do what they enjoy! That's what we're here for - to enjoy ourselves!

Portrait of a self realized, healthily functioning person

Why aren't you banging your head against that wall?

Oh, that! I tried it a long time ago, and it hurt and was most incredibly boring. Just look at my freedom and clarity and ease of being and all the happiness and abundance in my life now because I don't keep doing that silly thing and getting stuck in pointless ruts!

Well, in that case, at least you can take some Haloperidol to help cure you of your condition.

- Er, you're telling me that H- (expletive censored) is a self realization aid and brings happiness and abundance and positivity to one's life?

...And more use of your television would also help cure you...

What television? Where? My life is so full of wonderful things, why would I need one of those? ...Okay, if I ever have cause to get a big hole made in my head I'll consider getting a television at the same time...

(later) ...I see you're still not banging your head against that wall! Don't you ever let your hair down and enjoy yourself? You really should, you know. It's unnatural and not normal if you don't just let go and enjoy yourself a bit. ...You're nuts!

Laughing out loud! Then best not to eat me if you're sensitive to them!



Are you really so sure you want to be 'normal'?



Some 'Favourite' composers


The word 'favourite' is really not right, as it implies a simple classification on the basis of a primitive 'like / dislike' response. I use the word here simply as a convenient label for those creative artists who in some way have given me particularly important positive experiences. The composers aren't listed in any special order, and the following list is very far from exhaustive; I couldn't pick out a simple small bunch of favourites in the conventional sense.

Where particular works are named, except where otherwise indicated the message is that apart from those works the composer in question doesn't do that much for me. In the case of Mozart and especially Beethoven this has nothing to do with my view of the stature of their music (indeed I feel Beethoven to be a great kindred spirit), but simply the general lack of resonance I have with the musical idiom of the period from (say) Bach up to the start of the 20th century.


Western Classical
  • Jean Sibelius
  • Carl Nielsen
  • Vagn Holmboe
  • Rued Langgaard (the more visionary works only)
  • Ralph Vaughan Williams (many of his works; Sea Symphony*)
  • Gustav Holst (Egdon Heath & The Planets)
  • Eduard Tubin
  • Bohuslav Martinu (outside his massive self-imitative oeuvre)
  • Leos Janacek (later works)
  • Bela Bartok
  • Igor Stravinsky (most of his works; Symphony of Psalms*)
  • Hector Berlioz (Sinfonie Fantastique, Te Deum* & Requiem*)
  • Wofgang Mozart (Requiem* & Mass in C Minor*)
  • Ludwig von Beethoven (Missa Solemnis*)
  • Benjamin Britten (War Requiem* and a few other works)
  • Harry Partch
  • Giacinto Scelsi
  • Iannis Xenakis
  • Thomas Tallis
  • Mikolaj Zielenski
  • Giles Swayne (Cry)
  • Giovanni Gabrieli
  • Guillaume de Machaut
  • Olivier Messian (organ music)
  • Jehan Alain (organ music)
  • Sergei Rachmaninov (Vespers)
  • Havergal Brian (Gothic Symphony - only!)
    * indicates a very deep connection through my having sung in the particular work (as an ordinary and undistinguished choir member).

Other
  • Georgian polyphonic choral music (e.g. as performed by the Rustavi Choir)
  • Frank Perry
    Frank Perry's tremendous music for Tibetan singing bowls, bells and sacred percussion, when used and listened to in the right way (in a strongly grounding context and NOT as meditation music, which is a harmful thing to do with it) is the most uplifting and advancing music that I know, having a powerful visionary quality but yet also communicating a profound peace and stillness. Provided it is listened to in strongly grounding contexts, it is also the most healing music that I know, and it puts to shame the bland so-called healing or meditation music that is so widely associated with the 'New Age movement'.

    I caution that even the composer himself does not understand the potential harmfulness of his music if it is approached in ungrounding ways, and he recommends use of at least some of his CDs such as Chakra Healing to accompany meditations - just the worst sort of thing you could do with such music, which would help unground you and make you more open and vulnerable to astral ('dark') entities and influences - something of which I have much experience.

I explored much non-classical and especially rock music, back in the early- to mid-1970s. Although I certainly gained from that I didn't find sufficient variety or depth in such music to sustain my interest. Also I usually found song lyrics trivial or / and offensive through their sexism and emotional reactiveness. This is not a statement of judgement about any music type, but of simple fact that I didn't find much to resonate with personally in those types of music.

I was sometimes accused of having 'narrow' musical tastes, but this was always by people who had no inkling of the huge range of types and idioms of music encompassed by the term 'classical'. Not one such criticizer knew more than a handful of classical composers, yet they happily described their own musical tastes as 'broad' and mine as 'narrow'.


'Favourite' and influential writers

I have read remarkably little and cannot give a meaningful list. I've read and enjoyed Tolkien, of course, and Mervyn Peake, Hermann Hesse, Ray Bradbury; various science fiction writers - special mention to Arthur C. Clarke's Childhood's End, The City and the Stars and 2,001 - A Space Odyssey (the book I mean - not the film with all its visual and musical distractions). And of course Salman Rushdie, about whose work I have healthily mixed views. Shakespeare was inevitably rammed down my throat when I was young.

While I've never really enjoyed Shakespeare, I think his work was influential in showing me how a story line could be filled with all manner of allusions and deeper layers of meaning, so providing a treasurehouse of experience for those who are prepared to re-read the work and look below the surface. This is very much a feature of most of my own literary writing, though developed in my own quite different way. 

Writers such as Franz Kafka, William Burroughs and Hubert Selby Jnr (Last Exit to Brooklyn) can't rate as favourites in the pleasure stakes, but have been powerfully influential in somehow giving me an inner permission to allow my own craziness and inner experiences to flow into my creative work rather than try to fit the work into prescribed forms or please particular people.

I'm sure there are many wonderful writers out there, but as an active creative artist myself I simply don't have the time and resources to locate their work and read it - and these days what reading time I have is given primarily to books on self realization and healing, not fiction.

As to poets - you may not believe this, but for the most part I do not read or particularly enjoy poetry. This fact has brought me harsh criticism from time to time on account of my writing poetry. According to various people I'm not entitled to communicate things to other beings in poetic form unless I read other poets' work widely too, and so therefore, I'm told, I'm very arrogant. Hmmm... Yes...

Let's bear in mind that, whatever the correctness or otherwise of such criticisms of me, they first and foremost reflect something that the criticizers don't like about themselves - we are all 'mirrors' to each other. If the criticizers, instead of overtly criticizing, subjected their criticizing thoughts to inquiry using The Work, they would wonderfully transform their own lives.


'Favourite' painters

Although not tremendously versed in the work of the great painters, I can list a small number who have made a deep impression upon me or / and with whom I feel an affinity. I shall no doubt add a few more as I remember or discover them. These are not listed in any deliberate order of preference.

  • Robert Lenkiewicz
    (the outstanding master of the 20th century)
  • Salvador Dalí
  • René Magritte
  • Pablo Picasso
  • Giorgio de Chirico
  • Paul Delvaux
  • Diego de Velázquez
  • Caravaggio
  • David Cheepen
  • Alex Grey



"Today's mighty oak is just yesterday's nut that held its ground."
That must be why I see myself as two mighty oak trees... wink

Philip Goddard, April 2007